Saturday, October 28, 2006
Thursday, October 26, 2006
Good Charlotte's video for "Keep Your Hands Off My Girl"
Let the record play,
Let the record play,
Let the record play.
The way that you dance,
The way that you move,
The way that you stare at me across the room,
You carry Dior bags,
And you got your Chanel,
You wear Louis Vuitton, HG, and YSL,
Now I got what you need,
I got DCMA
I got brass knuckles hanging,
From my neck in my chain,
I got a model 26,
But she stays in her place,
I got a curve shirt neatly,
Tucked inside in my waist.
Let the record play,
Let the record play,
Let the record play.
The way that you dance,
The way that you move,
The way that you stare at me across the room,
You carry Dior bags,
And you got your Chanel,
You wear Louis Vuitton, HG, and YSL,
Now I got what you need,
I got DCMA
I got brass knuckles hanging,
From my neck in my chain,
I got a model 26,
But she stays in her place,
I got a curve shirt neatly,
Tucked inside in my waist.
Tuesday, October 24, 2006
Monday, October 23, 2006
Saturday, October 21, 2006
signs

"People break down into two groups when they experience something lucky. Group number one sees it as more than luck, more than coincidence. They see it as a sign, evidence, that there is someone up there, watching out for them. Group number two sees it as just pure luck. Just a happy turn of chance. I'm sure the people in Group number two are looking at those fourteen lights in very suspicious way. For them, the situation isn't fifty-fifty. Could be bad, could be good. But deep down, they feel that whatever happens, they're on their own. And that fills them with fear."
From Signs, M. Night Shyamalan
[figure text: first fate, then luck]
Friday, October 20, 2006
Wednesday, October 18, 2006
Tuesday, October 17, 2006
the W
Monday, October 16, 2006
Friday, October 13, 2006
letting go of the familiar
"Man cannot discover new oceans unless he has the courage to lose sight of the shore."
We like familiarity don’t we? People, places and things that we have knowledge of or have encountered or seen bring us some form of comfort, safety, security and an element of control. I think of how many folks stay stuck in relationships, jobs, geographically etc. simply because they are familiar with their surroundings. For some it means giving up control of their life and to trust in fate. Sometimes the unfamiliar is just so cold, aloof, unfriendly, and leaves that empty homesick feeling in the pit of our stomach.
-French writer Andre Gide
We like familiarity don’t we? People, places and things that we have knowledge of or have encountered or seen bring us some form of comfort, safety, security and an element of control. I think of how many folks stay stuck in relationships, jobs, geographically etc. simply because they are familiar with their surroundings. For some it means giving up control of their life and to trust in fate. Sometimes the unfamiliar is just so cold, aloof, unfriendly, and leaves that empty homesick feeling in the pit of our stomach.
-French writer Andre Gide
Tuesday, October 10, 2006
i am sick of hearing
"Wow, you're really nice. I thought you were such a bitch."
Conclusion: smile more.
"Has anyone ever told you you look like Jodie Foster??"
Conclusion: kill. and kill again.
Conclusion: smile more.
"Has anyone ever told you you look like Jodie Foster??"
Conclusion: kill. and kill again.
Saturday, October 07, 2006
Friday, October 06, 2006
impulses

At any given moment, the brain has 14 billion neurons firing at a speed of 450 miles per hour. We don’t have control over most of them. When we get a chill...goose bumps. When we get excited...adrenaline. The body naturally follows it’s impulses, which I think is part of what makes it so hard for us to control ours. Of course, sometimes we have impulses we would rather not control, that we later wish we had.
Wednesday, October 04, 2006
Parkour - acrobatic fantastic
Parkour as featured in the "JUMP" video:
Parkour (IPA: [paʁ.'kuʁ], often abbreviated PK) is a physical discipline of French origin in which the participant — called a traceur (/tʁa.'sœʁ/) — attempts to pass obstacles in the fastest and most direct manner possible, using skills such as jumping, vaulting and climbing, or the more specific parkour moves. The obstacles can be anything in the environment, so parkour is often practiced in urban areas because of many suitable public structures, such as buildings, rails, and walls.
Madonna - Jump (preview)
There’s only so much you can learn in one place
The more that I wait, the more time that I waste
I haven’t got much time to waste, it’s time to make my way
I’m not afraid of what I’ll face, but I’m afraid to stay
I’m going down my own road and I can make it alone
I'll work and I'll fight, Till I find a place of my own
Are you ready to jump?
Get ready to jump
Don’t ever look back, oh baby,
Yes, I’m ready to jump
Just take my hands
Get ready to jump
There’s only so much you can learn in one place
The more that I wait, the more time that I waste
I haven’t got much time to waste, it’s time to make my way
I’m not afraid of what I’ll face, but I’m afraid to stay
I’m going down my own road and I can make it alone
I'll work and I'll fight, Till I find a place of my own
Are you ready to jump?
Get ready to jump
Don’t ever look back, oh baby,
Yes, I’m ready to jump
Just take my hands
Get ready to jump
Tuesday, October 03, 2006
Monday, October 02, 2006
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